Photo +
Fine Art Printing
Paper Tides specializes in photo + fine art printing with a commitment to sustainability. Collaborating directly with you, archival prints are crafted to stand the test of time and rival other digital prints.
Tailored for photographers, designers, illustrators, and artists—this woman-run studio is dedicated to supporting your creative journey. Whether you’re well-versed in the process or a newcomer, I’ll guide you through every step—making the intricate world of fine art and photo printing more accessible and approachable.
photo by John Hesselbarth
eco- conscious commitment
Sustainability is at the heart of Paper Tides. From the materials we order to how we manage waste, packaging, and energy use, we’re always working to reduce our impact. Even our commute is eco-friendly—our studio is at home, and the post office is right next door.
Papers
Each paper has been hand-selected. The current papers provide a perfect range for any type of photo or fine artwork that you have created.
Download the 2026 price guide here >>>
minimum order amount of $65.00
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Moab Entrada Natural 185 gsm
• 100% cotton paper. The thinner version of a popular photo paper. A great “project” paper. Priced fair for putting together a good amount of work. Ultrasmooth with a smidge of warmth. Recommended for framed prints, large gallery shows, posters.
Hahnemühle Rice Paper 100 gsm•Delicate pigment paper that is perfect for unique projects. Mainly used for rolled/flat needs or book pages.
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Moab Entrada Natural 290 gsm
•100% cotton paper with a smooth texture and hint of warmth. This is a machine-made salvaged cotton paper made in the USA with 100% wind energy, and because it contains zero (0%) Optical Brightening Agents (OBAs) it will outlast you or I. This paper has never disappointed. It is priced fairly for high-end, heavyweight archival prints. It’s great for illustrators, saturated visuals, and all photographers. It’s going to print in color and black + white like a dream.
Moab Juniper Baryta Rag 305gsm
•Canson is still my #1 for semi-gloss prints, but this 100% cotton, earth-friendly paper is such a gem made by Moab. No OBAs, made in the USA, with a mineral-based coating that gives a nice shine to your b+w and color prints.
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Canson Infinity Platine Fibre Rag 310 gsm
•This is THE darkroom paper of digital printing - mimicking the F-Type Baryta Fibre paper. Black and white + color prints look perfect on this paper. There’s a pure white point - without using OBA’s. A must-try for photographers.
Hahnemühle Cezanne Canvas 430 gsm•Unlike the mass produced online canvas prints that you see - this canvas is TRULY fine art and impressive. The natural white canvas contains no optical brighteners and boasts a beautiful, natural shade of white with a matte finish.
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Hahnemühle German Etching 310 gsm
•This paper has a natural texture - not a machine look at all. It has the perfect amount of texture that does not take away from the sharpness or color density in any way. One of the most popular papers for reproductions. With the high demand for this paper, it’s priced below list pricing.
Hahnemühle Eco-Papers•Bamboo, Agave, Hemp
Perfect slightly textured, warm, beautiful papers for reproduction work of illustrations, paintings, and eco-mindful artwork. -
Hahnemühle Photo Rag 308 gsm
•The perfect paper for photographers + creatives alike. A fine + soft surface that captures color as it is intended to be. This is one of the finest papers in archival fine art printing.
Hahnemühle Photo Rag Satin 310 gsm
•The sister paper to Photo Rag - this will be the paper that will be pushed on anyone that comes to the lab. It’s a unique rag paper with a subtle texture + satin surface. Under glass, this will be the paper that gives your viewers ‘the something’ extra to look at.
See the papers IRL by contacting Emma for a free sample pack.
Print Orders - the process
Review Paper Tides price guide and papers.
Visit the contact page for ordering instructions - orders must be for ‘ready to print’ projects only.
Upload artwork via transfer site (a link will be provided).
Within 48–72 hours of reviewing your files, you’ll receive a confirmation. I’ll confirm details, discuss timelines, and provide a quote if everything is ready.
Once approved, your prints will be produced.
Completed orders can be shipped directly to you or your customers, or picked up at the studio.
Order details and print files are saved for future reorders. For replica orders, email or use the order form.
FAQ :
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If you’re even considering printing with Paper Tides, reach out for a free packet of paper samples. This way you can feel different stocks in your hands and fall in love with something that works for your art.
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download guide
review every file before printing—no worries there! I’m happy to make adjustments like converting color space, resampling file size, or tailoring the file for a specific paper. Any work beyond basic prep may be subject to an hourly labor fee.File Submission Guidelines:
Accepted formats: TIFF, JPEG, or PSD
Files must be flattened (no layers)
Adobe RGB color space
8-bit or 16-bit files only
Set to exact print dimensions (please don’t upsize)
If submitting multiple files, include the file size in the filename
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Your files might not fit an 11” x 14” print if the aspect ratio doesn’t match. For example, 35mm film has a 2:3 ratio, while 16” x 20” canvas boards have a 4:5 ratio. These ratios determine the print sizes that work without cropping your image.
Check the print price guide for a clear list of sizes and their corresponding ratios—it’s helpful to review this before ordering.
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If you’re new to printing—or printing with Paper Tides for the first time—doing a round of test prints and proofing is highly recommended. This is especially helpful if you’re unsure about sizing. Proofing at 100% scale lets you see the detail and quality at the largest size you're considering.
You can start this process while you're still finalizing your order details.
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With digital printing, there’s no need to produce an entire edition at once. Even printing just two of the same image qualifies for a discount, and the savings increase with larger quantities. That said, it can be more economical—and sustainable—to avoid overprinting.
You can always reorder later, but storing unsold prints takes up space and ties up resources.
My advice? Start small. See what sells and how quickly, then reorder as needed.
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Largest print, could be 44” on the SHORT side.
Smallest print, could be 2” minimum.
Custom ANYTHING. Rolls of paper come in 39’. -
As a custom print lab, I'm not limited to standard print sizes. Prints can be as small as 2" or as long as 39 feet. I print exclusively on 44" rolls of paper—so the maximum width (short side) of any print is 44", with the long side being as long as needed.
Each print is laid out manually and hand-trimmed. Any excess paper trimmed from your print is saved and reused for proofing.
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Deckled Edge
Deckled edges are created by hand-tearing the paper, giving prints a soft, textured border. This option works especially well with cotton papers and adds a subtle, refined touch. Samples are available if you’d like to see the effect.Raw Film Edge
If you like the look of film borders but don’t want to scan the full negative, I can digitally add film-style edges to your prints. It’s a simple way to bring in that classic film aesthetic. -
Papers all have different personalities, I’ve ditched the paper manufacturer's outdated instructions for print and have made custom ICC profiles that are retrofitted to each paper and my printer specifically. This means that our prints are pretty spot on from computer to printer.
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“Are your prints Giclée?”
This is one of the most common questions I get. “Giclée” is an older term for what are essentially archival-quality prints.
I prefer to call them Archival Digital Pigment Prints—it’s more accurate, less stuffy, and still meets the standards of museums, galleries, and collectors.
